{"id":141,"date":"2016-12-09T15:46:26","date_gmt":"2016-12-09T14:46:26","guid":{"rendered":"https:\/\/ljudkonstgalleriet.wordpress.com\/?page_id=141"},"modified":"2026-06-02T16:16:58","modified_gmt":"2026-06-02T15:16:58","slug":"documentation","status":"publish","type":"page","link":"https:\/\/ljudkonstgalleriet.se\/?page_id=141","title":{"rendered":"Documentation"},"content":{"rendered":"\n<h1 class=\"wp-block-heading alignwide has-text-align-center\">2024<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"552\" src=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/genii-2.jpg\" alt=\"\" class=\"wp-image-497\" style=\"width:203px;height:auto\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/genii-2.jpg 395w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/genii-2-215x300.jpg 215w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">GENII LOCORUM<\/h3>\n\n\n\n<p>HISTORY<\/p>\n\n\n\n<p>Every place in Gothenburg has a soul, or a spirit. These supernatural clusters are complex patterns, affected by the various nature, history and inhabitants of the different locations. They are cultural-ecological documentations of the city&#8217;s visible and invisible course of events. These, the protectors of the hidden pit-stops and yards, can guide a visitor to see beyond the architectonic surface, and reveal the beating heart of the city.<\/p>\n\n\n\n<p>Welcome on a pilgrimage through landscape, nature and ecology.<\/p>\n\n\n\n<p>In our pre-christian history, contact with the locational spirits, the genii locorum, was central for all those who built houses, performed their crafts or travelled through nature. Through different projects modernising our society, we have forgotten and discarded an important part of what it means to understand a place and show respect for the powers that lie just beneath the varnish of modernity. If we were reminded of our world&#8217;s animated, or spiritual, aspects, perhaps we would travel through it with a greater sense of holiness, and treat it more gently.<\/p>\n\n\n\n<p>URBAN PILGRIMAGE<\/p>\n\n\n\n<p>Genii Locorum \u2013 Ockult Atlas of Kungsladug\u00e5rd, is an urban pilgrimage through streets and landscape, from Slottsskogen, via Kungsladug\u00e5rd, ending up at R\u00f6da Sten, during which we use different tools to direct the narrative of the city-walk under the surface of the mundane. The Atlas gives you unique information of the places. Our printed Atlas contains maps, information, magical sigils and spells to guide the participant through the web of destiny. It will work as a bridge between your consciousness and the physical location, as you hold the book in your hands, reading from it. The reading becomes a meditative practice, to assist in slowing down the world, allowing you to lose yourself in the experience of the here and now of the location.<\/p>\n\n\n\n<p>When you enter a place described in the book, you will find musical compositions, to help guide you into a suggestiv state of mind.&nbsp;<\/p>\n\n\n\n<p>Our Atlas and our musical layers and compositions are built on our work procuring and creating sigils, words of power, spells and sound recordings connected to each spot. The collected material has guided our process, to let the different unheard wills of the city manifest through our work. Each component of the collected material bears the imprint of the zeitgeist of the locations, and together they create a suggestive symmetri to bring about the inner knowledge of the geography.<\/p>\n\n\n\n<p>Traversing the path described in this book may take a day, it may take the rest of your life.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>The project is funded by Kulturbryggan<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"227\" data-id=\"495\" src=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/KB-logo.jpg\" alt=\"\" class=\"wp-image-495\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/KB-logo.jpg 595w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/KB-logo-300x114.jpg 300w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"259\" src=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/02.jpg\" alt=\"\" class=\"wp-image-496\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/02.jpg 334w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2026\/06\/02-300x233.jpg 300w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2022\">2022-23<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>INANNA<\/strong><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Inanna Trailer\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/W7w_9qr_7Yc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Operan Inanna \u00e4r ett elektroakustiskt opera\u00e4ventyr om den sumeriska gudinnan Inannas nedstigning i underjorden. En scenisk och musikalisk v\u00e4v av elektroniska klanger, s\u00e5ng och video.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.gp.se\/kultur\/musik\/recension-imo-skogen-p\u00e5-kronhuset-och-inanna-p\u00e5-teater-cinnober-1.81905744\" target=\"_blank\" rel=\"noreferrer noopener\">Recension i GP<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.alba.nu\/sidor\/39711\">Recension i Alba.nu<\/a><\/p>\n\n\n\n<p>Boka Inanna i VG:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.kulturkatalogenvast.org\/Arr\/id\/5205\">L\u00e4nk till bokning via Kulturkatalogen V\u00e4st<\/a><\/p>\n\n\n\n<p>CITAT UR PRESSEN:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201d..Uttrycket \u00e4r b\u00e5de avskalat och dramatiskt..\u201d&nbsp; (Magnus Haglund, GP)&nbsp;<\/p>\n\n\n\n<p>Bildsekvenserna, d\u00e4r kilskrift och suggestiva teckensamman- st\u00e4llningar f\u00e5r scenrummet att flimra, \u00e5terskapar en v\u00e4rld f\u00f6r mycket l\u00e4nge sedan.&nbsp;(Magnus Haglund, GP)<\/p>\n\n\n\n<p>\u201d..en gener\u00f6s r\u00f6st tillh\u00f6rande \u00c5sa Nordgren fyller lokalen..\u201d (Kjerstin Nor\u00e9n, Alba.nu)&nbsp;<\/p>\n\n\n\n<p>\u201d..uppslukande i sin konsekvens och bildm\u00e4ssiga sk\u00f6nhet..\u201d (Kjerstin Nor\u00e9n, Alba.nu)&nbsp;<\/p>\n\n\n\n<p>\u201d..Inanna h\u00e4rskar \u00f6ver s\u00e5v\u00e4l himmel som jord, med r\u00e4tt att nedstiga till d\u00f6dsriket, det \u00e4r bara att&nbsp;f\u00f6lja med och man g\u00f6r det g\u00e4rna.\u201d(Kjerstin Nor\u00e9n, Alba.nu)&nbsp;<\/p>\n\n\n\n<p>\u201d..en intrikat ljudv\u00e4rld d\u00e4r elektroniska ljudv\u00e4rldar beblandas med akustiska ljud..\u201d (Arvid kraft, Nutida Musik)<\/p>\n\n\n\n<p>\u201d..en dr\u00f6m, helt klart bortom det jordiska.\u201d \u201d..en intrikat ljudv\u00e4rld d\u00e4r elektroniska ljudv\u00e4rldar beblandas med akustiska ljud som r\u00f6r sig i harmoniskt repetitiva melodier..\u201d \u201d..med filmens surrealistiska toner i kombination med den sumeriska scenografin, musikens ritualistiska klanger, och Nordgrens gudalika gestalt, har&nbsp;Inanna hittat ett experimentellt uttryck f\u00f6r hur en av de \u00e4ldsta ber\u00e4ttelserna kan gestaltas i v\u00e5r samtid.\u201d (Arvid Kraft, Nutida Musik)<\/p>\n<\/blockquote>\n\n\n\n<p>F\u00f6rest\u00e4llningar:<\/p>\n\n\n\n<p>Atalante, Geigers Oktoberfest, 21 oktober 2023<\/p>\n\n\n\n<p>Cinnober Teater, G\u00f6teborg 23 &#8211; 25  september 2022<\/p>\n\n\n\n<p>Bohusl\u00e4ns Museum, Uddevalla 13-14 oktober 2022<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>BAKGRUND<\/p>\n\n\n\n<p>Myten om den sumeriska gudinnan nedtecknades i kilskrift som tempelhymn ca 2250 f Kr av den f\u00f6rsta kvinnliga f\u00f6rfattaren, Enheduanna. Texten \u00e4r en komplex och inneh\u00e5llsrik skapelsemyt med referenser till flertalet historiska kulturer och religioner.&nbsp;<\/p>\n\n\n\n<p>Inanna, himmelens och jordens h\u00e4rskarinna, \u00e4r gudinnan som representerar planeten Venus r\u00f6relse \u00f6ver himlavalvet. Det ber\u00e4ttas hur hennes n\u00e4rvaro p\u00e5verkar \u00e5rstiderna och klimatet i v\u00e4rlden. Hon \u00e4r v\u00e4ldig, med en f\u00f6r\u00f6dande kraft. Hon \u00e4r krigets, magins och k\u00e4rlekens gudinna och \u00e4r skyddshelgon f\u00f6r kvinnor och f\u00f6r den transformerande sexualiteten. K\u00e4rt barn har m\u00e5nga namn, och den sumeriska gudinnan Inanna vandrar vidare och inspirerar flertalet kulturer, i Mesopotamien som Ishtar, i Grekland som Afrodite och i Rom som Venus. Nedstigningen \u00e4r en ritual som handlar om transformation, och som \u00e5terfinns i v\u00e4rldens olika kulturer, d\u00e4r du p\u00e5b\u00f6rjar p\u00e5 en inre resa och kommer ut som en annan person.<\/p>\n\n\n\n<p>V\u00e5r opera fokuserar p\u00e5 den del i ber\u00e4ttelsen d\u00e5 Inanna v\u00e4ljer att stiga ned i underjordens rike och f\u00f6renas med sin m\u00f6rka syster Ereshkigal. Hon f\u00e4rdas ned\u00e5t genom sju portaler. Vid varje port m\u00e5ste Inanna ta av sig ett plagg eller smycke f\u00f6r att transformeras till en del av underjorden. Hennes plagg representerar hennes himmelska Me, de gudomliga krafter och kunskaper hon besitter, vilka hon m\u00e5ste l\u00e4mna ifr\u00e5n sig f\u00f6r att kunna transformeras och ta emot underjordens Me. N\u00e4r hon l\u00e4mnat ifr\u00e5n sig all sin makt m\u00e5ste \u00e4ven hennes kropp, hennes Ego, d\u00f6, som ett sista steg i nedstigningen. Efter tre dagar \u00e5teruppst\u00e5r Inanna och stiger upp igen, nu som en transformerad version. Planeten Venus syns \u00e5terigen p\u00e5 himlavalvet och v\u00e4rldens balans \u00e5terst\u00e4lls n\u00e4r hon \u00e4r tillbaka.<\/p>\n\n\n\n<p>Musik och mytologi utgjutes fr\u00e5n samma osedda punkt i m\u00e4nniskans v\u00e4sen. Det \u00e4r en vild plats d\u00e4r civilisationernas tider\u00e4kningar vittrar bort och en naken m\u00e4nsklighet framtr\u00e4der. Att stifta konstn\u00e4rlig bekantskap med ur\u00e5ldriga myter \u00e4r ett intressant s\u00e4tt att g\u00e5 bortom gott och ont f\u00f6r att frammana det m\u00e4nskliga urtillst\u00e5ndet som trots all modern kosmetika fortfarande \u00e4r den form i vilken alla m\u00e4nniskor st\u00f6ps.<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>MEDVERKANDE<\/p>\n\n\n\n<p>V\u00e5rt operakompani unders\u00f6ker operakonstens uttrycksm\u00f6jligheter utifr\u00e5n v\u00e5ra skilda erfarenheter och konstomr\u00e5den. Tillsammans har vi skapat och regisserat v\u00e5r performance, d\u00e4r vi med text, musik, video och scenografi utforskar myten om Inanna.<\/p>\n\n\n\n<p>Komponisterna Michael Idehall och Anna Eriksson har individuella och kontrasterande uttryckss\u00e4tt som utmanar och kompletterar och ger historien ett sp\u00e4nnande narrativ. Noterad musik samsas med&nbsp; elektronik, video och scenbild.<\/p>\n\n\n\n<p>\u00c5sa Nordgren, Sopran &amp; Producent<\/p>\n\n\n\n<p>Anna Eriksson, Komposition<\/p>\n\n\n\n<p>Michael Idehall, Komposition, Video &amp; Musikproduktion<\/p>\n\n\n\n<p>Ann Petersson Malmstedt, Scenbild, Kostym &amp; Video<\/p>\n\n\n\n<p>Anna Forsell, Textarbete &amp; Ber\u00e4ttarr\u00f6st<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>En produktion av Ljudkonstgalleriet, i samarbete med Teater Cinnober och Bohusl\u00e4ns Museum. Silversmeden Anna Martinsson har tillverkat vissa av Inannas smycken.<\/p>\n\n\n\n<p>Produktionen genomf\u00f6rs med st\u00f6d av Statens Kulturr\u00e5d, Musikverket och V\u00e4stra G\u00f6talandsregionens Kulturn\u00e4mnd.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"1024\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-727x1024.jpg\" alt=\"\" class=\"wp-image-445\" style=\"width:342px;height:auto\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-727x1024.jpg 727w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-213x300.jpg 213w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-768x1082.jpg 768w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-1091x1536.jpg 1091w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-1454x2048.jpg 1454w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2-1200x1690.jpg 1200w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/09\/Inanna-A2.jpg 1677w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">PENTEMYCHOS <\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pentemychos\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/WjSOoeHCnYQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>The Five Recesses <\/em><\/p>\n\n\n\n<p>An Opera\/Dance\/Animation Video <\/p>\n\n\n\n<p>The Opera \u201dPentemychos\u201d is inspired by the book Tartaros by author August Alm, and explore the five recesses of existence, connected with the Greek philosopher Pherecydes of Syros (~600 bc). <\/p>\n\n\n\n<p>The opera consists of five movements, each corresponding to one of the five recesses. Each recess has in turn a set of correspondences and a sigil constructed from the mystical concept associated with the recess. Composed and created with our own method The Pireaus System. <\/p>\n\n\n\n<p>\u00c5sa Nordgren &#8211; Soprano, Composer <\/p>\n\n\n\n<p>Michael Idehall &#8211; Video, Animation, Composer, EAM <\/p>\n\n\n\n<p>Satoshi Kudo &#8211; Dance, Choreography <\/p>\n\n\n\n<p>Andreas St\u00e5lvall &#8211; Photographer <\/p>\n\n\n\n<p>Audio mastered at 4 &amp; Rising by N\u00ffland<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-dots\"\/>\n\n\n\n<p>Presented by Ljudkonstgalleriet at Cinnober Teater, 17\/2 2022 <\/p>\n\n\n\n<p>This opera was supported by G\u00f6teborgs Stad Kultur.<\/p>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2021\">2021<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GELEYKAA 680\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/GhDO-BDolkU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Audio and video was composed and produced for LKG by \u00c5sa Nordgren and Michael Idehall.<\/figcaption><\/figure>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2020\">2020<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maneki Neko Song\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/uV1fOfbKJyE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">The video documents a collaboration between Ljudkonstgalleriet and Anna Eriksson during the summer of 2020.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Refraktioner av K\u00e5lg\u00e5rdsgatan 4\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/yj4euORtEMA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Original music by Sara Sj\u00f6dahl. Remix and video by Michael Idehall. Ljudkonstgalleriet remote cooperation during Covid-19, 2020.<\/figcaption><\/figure>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2019\">2019<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"interference\">Interference<\/h3>\n\n\n\n<p>An audio\/video installation where sound and image are generated in real-time while controlling and affecting each other. By overlaying reality upon itself hidden aspects of the environment become apparent through a process of phase-cancellation or wave interference. The undulations of mundane life are inverted and imposed back on themselves thus removing obvious features of our perception. The constant relationship of feedback between the different technical instances of the installation works as a filter while the audience, whom actively participate in the installation with their physical presence and their movement around the space, perceive an environment in constant flux.<\/p>\n\n\n\n<p>Created in 2019 by Michael Idehall and \u00c5sa Nordgren with support by G\u00f6teborgs Stad Kultur<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interference\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/z70_mcq3CRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;<\/h3>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"298\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-scaled.jpg\" alt=\"\" class=\"wp-image-298\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-scaled.jpg 2560w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-300x225.jpg 300w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-1024x768.jpg 1024w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-768x576.jpg 768w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-1536x1152.jpg 1536w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-2048x1536.jpg 2048w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-1200x900.jpg 1200w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-24-40-1-1980x1485.jpg 1980w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"297\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-26-10.jpg\" alt=\"\" class=\"wp-image-297\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"296\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-26-08-1-scaled.jpg\" alt=\"\" class=\"wp-image-296\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-26-08-1-scaled.jpg 2560w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-26-08-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"291\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-22-23.jpg\" alt=\"\" class=\"wp-image-291\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"286\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-21-12.jpg\" alt=\"\" class=\"wp-image-286\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"285\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-20-25.jpg\" alt=\"\" class=\"wp-image-285\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"283\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-16-52-1.jpg\" alt=\"\" class=\"wp-image-283\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"281\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-16-16-2.jpg\" alt=\"\" class=\"wp-image-281\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"280\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-29-20-16-28-1.jpg\" alt=\"\" class=\"wp-image-280\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"276\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Foto-2019-06-30-19-24-23.jpg\" alt=\"\" class=\"wp-image-276\"\/><\/figure>\n<\/figure>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2017\">2017<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"apparatus-god\">Apparatus God<\/h3>\n\n\n\n<p>Apparatus God is an exploratory EAM-opera where the mythical meets the modern through the mediums of voice, dance, and electronics.<\/p>\n\n\n\n<p>Soprano\/Composition: \u00c5sa Nordgren<br>Choreography\/Dance: Satoshi Kudo<br>Electronics\/Composition\/Lyrics\/Video: Michael Idehall<br>Video production\/Documentation:Andreas Sandlund<\/p>\n\n\n\n<p>Apparatus God \u00e4r en experimentell opera d\u00e4r det ur\u00e5ldriga m\u00f6ter det moderna gestaltat i r\u00f6st, dans och elektronik. Ett m\u00f6te mellan EAM, opera, videokonst och butohdans.<br>Ett interdisciplin\u00e4rt elektroakustiskt operaverk baserat p\u00e5 dokumenterade dr\u00f6mmar och visioner. Ett ontologiskt s\u00f6kande efter m\u00e4nniskan i judisk mystik och arabisk astrologi st\u00e4lls i f\u00f6rh\u00e5llande till den moderna m\u00e4nniskans roll i ett positivistiskt samh\u00e4lle. Om teknologin som ett medel f\u00f6r spirituell upplysning. S\u00e5ngaren och dansaren symboliserar tv\u00e5 sidor av samma karakt\u00e4r, som genomg\u00e5r en resa i tid, rum och existens. Dansaren \u00e4r med p\u00e5 film, som ett elektroniskt v\u00e4sen i rummet, vilket f\u00f6rst\u00e4rks d\u00e5 golvet t\u00e4cks med r\u00f6k f\u00f6r att ge filmen en 3D-effekt.<\/p>\n\n\n\n<p>Premi\u00e4r var 25\/11 2017 p\u00e5 Cinnober Teater i G\u00f6teborg.<br>Projektets process st\u00f6ddes med Genomf\u00f6randest\u00f6d fr\u00e5n Kulturbryggan och samarbetsparter var Marulk Design och Flodstrands Bokbinderi.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Apparatus God\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/Oa2J8jIHuQs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"logokalyps\">Logokalyps<\/h3>\n\n\n\n<p>Ruta Vitkauskaite (Lithuania), Violin, Composition<br>\u00c5sa Nordgren, Voice, Composition<br>Michael Idehall, Text, Composition, Projection<\/p>\n\n\n\n<p>Man always creates meaning. But what are we left with if we dissolve language? What happens when we move away from our logocentric consensus? Logokalyps is a sound art performance where vocals, the violin, and a sound art machine coexist in order to create a musical and artistic whole. It explores new ways of looking at the world through the dissolution of language.<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/program.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of program.\"><\/object><a id=\"wp-block-file--media-7cdc64d3-98a8-4603-a563-5fa8067e784a\" href=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/program.pdf\">program<\/a><a href=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/program.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-7cdc64d3-98a8-4603-a563-5fa8067e784a\">Download<\/a><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Logokalyps\" src=\"https:\/\/player.vimeo.com\/video\/673250587?dnt=1&amp;app_id=122963\" width=\"580\" height=\"326\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Logokalyps\" width=\"580\" height=\"435\" src=\"https:\/\/www.youtube.com\/embed\/D-r1uzxJMds?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"seo_h1_tag\">Confessions &#8211; Spatial Opera in the Dark<\/h3>\n\n\n\n<p>The opera creators group Spatial Opera Company &#8211; Jens, \u00c5sa and R\u016bta &#8211; met at the 2010 New Music Incubator project in Latvia, and they were united by one goal &#8211; to create a spatial opera in the dark, especially expanding the possibilities of the acoustic surroundings. The work was inspired by their interest in spatial electronics, in particular by spatial acoustic sound and its impact on imagination. The Christian idea of the seven deadly sins lies at the basis of the libretto.<\/p>\n\n\n\n<p>The seven parts of \u201cConfessions\u201d are concerned with the seven cardinal sins \u2013 lust, gluttony, greed, sloth, wrath, envy and pride. The confessions unite the authors&#8217; long-cherished ideas of creative experiments: performing music in the dark, involving other senses (smell, touch) and allegedly completely removing the visual aspect. However, in the opera, the latter is really the most activated factor. Through the abstract audio images and concrete pre-recorded sounds the listener&#8217;s imagination produces strong inner pictures linked to feelings, sensations or objects.<\/p>\n\n\n\n<p>In 2016 the opera \u201cConfessions\u201d was awarded The Lithuanian Professional Theatre Award The Golden Stage Cross for best music and Lithuanian Composer\u2019s Union\u2019s prize Musical Nail of The Year. The opera is touring in Lithuania, Germany, Netherlands, and Sweden.<\/p>\n\n\n\n<p>Presented by:<br>Ljudkonstgalleriet<br>GEIGER<br>Teater Trixter<br>G\u00f6teborgs Stad Kultur<br>Lithuanian Culture Institute<\/p>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2016\">2016<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-1024x1024.png\" alt=\"\" class=\"wp-image-357\" style=\"width:201px;height:201px\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-1024x1024.png 1024w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-300x300.png 300w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-150x150.png 150w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-768x768.png 768w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01-1200x1200.png 1200w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Origins-01.png 1418w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><a href=\"https:\/\/ljudkonstgalleriet.files.wordpress.com\/2016\/12\/screen-shot-2016-12-09-at-17-07-08.png\"><br><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"origin\">Origin<\/h3>\n\n\n\n<p>There is a memory of origin within the collective consciousness of humanity, an idea concerning the wellspring of our civilisation. Throughout history, the absence of an actual geographic location has been attributed earthquakes, landslides and flooding. These explanations are used to realise the perceived memory and to bridge the gap between a mundane spacetime and a mythological narrative.<br>The aim of the project called Origin is to search for the memory of the nature of our origin by disregarding the&nbsp;mundanifying&nbsp;explanatory models, and artistically create a new hub for our mythological heritage, an aesthetic interface to the idea that humanity&#8217;s cultural cradle is actually a civilisation that exists somewhere just beyond the framework of our world.<\/p>\n\n\n\n<p>I m\u00e4nsklighetens kollektiva medvetande finns ett minne av ursprung, en id\u00e9 om v\u00e5ra civilisationers urhem. Genom historien har man f\u00f6rs\u00f6kt f\u00f6rklara avsaknaden av en faktisk geografisk plats med jordb\u00e4vningar, skred och \u00f6versv\u00e4mning. Dessa f\u00f6rklaringsmodeller anv\u00e4nds f\u00f6r att f\u00f6rverkliga det upplevda minnet och f\u00f6r att \u00f6verbrygga glappet mellan ett mond\u00e4nt tidsrum och ett mytologiskt narrativ.<br>Syftet med Origin \u00e4r att s\u00f6ka efter minnet av v\u00e5rt ursprungs beskaffenhet genom att \u00e5sidos\u00e4tta de vardagligg\u00f6rande f\u00f6rklaringsmodellerna och p\u00e5 konstn\u00e4rlig v\u00e4g skapa en ny knytpunkt till v\u00e5rt mytologiska tankegods, ett estetiskt gr\u00e4nssnitt till id\u00e9n om att m\u00e4nsklighetens kulturella vagga egentligen \u00e4r en civilisation som existerar n\u00e5gonstans strax utanf\u00f6r v\u00e5r v\u00e4rlds ramar.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"origin-i-souvenir\">Origin I \u2013 Souvenir<\/h3>\n\n\n\n<p>Anna Eriksson (composer, sound artist)<br>Mansoor Hosseini (composer, sound artist)<br>Ann Petersson Malmstedt (visual artist)<\/p>\n\n\n\n<p>Film, sound installations, sound objects, and sculptures come together in this sound art event which revolves around the theme \u2019souvenirs and memory\u2019.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"origin-ii-minnet-av-en-plats-jag-aldrig-varit-pa\">Origin II \u2013&nbsp;Minnet av en plats jag aldrig varit p\u00e5<\/h3>\n\n\n\n<p>Tommy Carlsson &#8211; Sound Artist &amp; Composer<br>www.ljudandelandskap.se<\/p>\n\n\n\n<p>The name of the exhibition translates &#8220;A memory of a place where I have never been&#8221;. In it Tommy explores different memories that create our world and our lives. Inherited memories mix with your own experiences and create illusions.<\/p>\n\n\n\n<p>V\u00e5rt minne av olika platser och kulturer finns inom oss som myter och gamla historieber\u00e4ttelser. Dessa skapar v\u00e5r v\u00e4rldsbild och v\u00e5ra f\u00f6rest\u00e4llningar. I utst\u00e4llningen \u201dMinnet av en plats jag aldrig varit p\u00e5\u201d vill han ifr\u00e5gas\u00e4tta detta kollektiva minne och visa p\u00e5 dess skevhet. Genom att utg\u00e5 fr\u00e5n sig sj\u00e4lv, sina f\u00f6rest\u00e4llningar och sin v\u00e4rldsbild skapar han en utst\u00e4llning som pekar p\u00e5 en v\u00e4rld d\u00e4r enbart dessa minne<span class=\"text_exposed_show\">n finns kvar.<\/span><\/p>\n\n\n\n<p>*******<br>Other installations during the evening:<\/p>\n\n\n\n<p>Barcode &#8211; a Sound Art installation by Michael Idehall on display in the bar.<\/p>\n\n\n\n<p>La Moulin &#8211; an Audio\/Video installation by \u00c5sa Nordgren. Sounds and film from the ancient water-powered craft mill La Moulin de la Fleuristerie in Orges, Champagne, France.<\/p>\n\n\n\n<p>\u00c5ttans Fragment &#8211; an Audio installation.<br>Mikael Boj\u00e9n and Ann-Louise Liljedahl have created a collage from sound-fragments made by their 8th grade art students at Freinetskolan Bild och Form, Gothenburg.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c5sa Nordgren \u2013 La Moulin\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/RxowwB5hMQg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2015\">2015<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"seo_h1_tag\">Season Opening<\/h3>\n\n\n\n<p>Johan G Winther &#8211; Self Portraits (installation with sound art and paintings)<\/p>\n\n\n\n<p>&#8216;Self Portraits&#8217; is an ongoing project of Johan G Winther based upon ideas of self-hypnosis, trance, and meditation as a way of<br>delving deeper into one&#8217;s own mind to explore, unlock and discover new parts of one&#8217;s own self.<br>The process has so far proven successful in letting new personalities emerge together with new realizations and understandings of the artists own self.<br>The modern &#8220;selfie&#8221; turned inwards to work constructively instead of destructively. Self-obsession without shame and self-loathing.<br>&#8211; JGW October 2015<\/p>\n\n\n\n<p>Johan G Winther (1982-) is a Gothenburg based artist working with both sounds and visual arts in various projects an<span class=\"text_exposed_show\">d contexts.<br>Since around 2003 he has released several solo-albums in a plethora of styles and formats, as well as many releases as a member of for example Scraps Of Tape, Blessings and The Silence Set. He has toured all over Europe and Japan and exhibited his art several times at various locations and in various cities and countries.<\/span><\/p>\n\n\n\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.timecanvas.wordpress.com%2F&amp;h=ATO4WlV-uNiOQabzpErPUe56xEE9sS6Dy50mcmbBIa7vZjSPYvmg12kFpG9kjCRBJHwFbDupQXPb6-3yZPNoRxGpHUVZGyLSNtGLotJiHDFkb7F6TFEwBRHeQP2y2DYCGUayTahhk517y41_imcV1z6nIMsnA749i5DSckpUcREnpkrgYxdr\" rel=\"nofollow noopener\">www.timecanvas.wordpress.com<\/a><br><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.tsukimono.bandcamp.com%2F&amp;h=ATMd8s1kXD8-ye9XJiqMCiGQDom2WBbkXXKdiX9ls_fOu1ip1Esx5y1icyYb__hvpUpOMS_yPGa8g_acUwDsyMoBZ7q6YuhLOxKowouoB9gQ3YnNaZ6WKyZfCyhlP9NC4evNhvMgwt6PhUfjYMTLU2caNx20hanoBICXh6CMVN26Rmy-tdwq\" rel=\"nofollow noopener\">www.tsukimono.bandcamp.com<\/a><br>Instagram: @timecanvas<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"2048\" data-id=\"50\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o.jpg\" alt=\"\" class=\"wp-image-50\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o.jpg 2048w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o-300x300.jpg 300w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o-1024x1024.jpg 1024w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o-150x150.jpg 150w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o-768x768.jpg 768w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12182543_10153033053577583_6014288102739239975_o-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"2048\" data-id=\"49\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12034457_918640351560527_5107024613545668193_o.jpg\" alt=\"\" class=\"wp-image-49\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12034457_918640351560527_5107024613545668193_o.jpg 1536w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12034457_918640351560527_5107024613545668193_o-225x300.jpg 225w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12034457_918640351560527_5107024613545668193_o-768x1024.jpg 768w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12034457_918640351560527_5107024613545668193_o-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"960\" data-id=\"48\" src=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12063755_917648961659666_2741031951210299903_n.jpg\" alt=\"\" class=\"wp-image-48\" srcset=\"https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12063755_917648961659666_2741031951210299903_n.jpg 720w, https:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2015\/10\/12063755_917648961659666_2741031951210299903_n-225x300.jpg 225w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Johan setting up his machines.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tabernacle in the Wilderness\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/P4XIov2_EgU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>TVLPA &#8211; Tabernacle in the Wilderness (audio\/visual installation)<\/p>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"2014\">2014<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"pioneering\">Pioneering<\/h3>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Mission.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Mission.\"><\/object><a id=\"wp-block-file--media-2ea8ca3a-595e-4a70-bf21-227c7283550e\" href=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Mission.pdf\">Mission<\/a><a href=\"http:\/\/ljudkonstgalleriet.se\/wp-content\/uploads\/2022\/02\/Mission.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-2ea8ca3a-595e-4a70-bf21-227c7283550e\">Download<\/a><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"pioneering-i\">Pioneering I<\/h3>\n\n\n\n<p>The launch of our gallery is a voyage into unknown territory, and the theme for our inaugural project is the concept of pioneering. Our first public event will be a grand opening where we introduce Ljudkonsgalleriet and the artists who will work with us during autumn.<\/p>\n\n\n\n<p>The first team of pioneers to join us consists of<br>Ann-Charlotte Rugfelt Ferm \u2013 Visual and sound artist from Gothenburg<br>Ruta Vitkauskaite \u2013 Composer and sound artist from Lithuania<br>Martin Thulin \u2013 Instrument builder and composer from Malm\u00f6<\/p>\n\n\n\n<p>&#8211; Music by Lars Carlsson &#8211; in the foyer<br>&#8211; Art Hood &#8211; Installation by Ann-Charlotte Rugfelt Ferm and Tomas Ferm, with video by Cheap Imitation.<br>&#8211; Connections between sound and esotericism: Marsilio Ficino&#8217;s spirit-music theory &#8211; presentation by Jimmy Elwing.<br>&#8211; Performance of &#8220;Violin Ritzos&#8221; by Ruta Vitkauskaite.<br>&#8211; Presentation of Martin Thulin<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"pioneering-ii\">Pioneering II<\/h3>\n\n\n\n<p>Our second public event will constitute a gateway to an undiscovered country and present it to our audience.<\/p>\n\n\n\n<p>Our team of pioneers consists of<br>Ann-Charlotte Rugfelt Ferm \u2013 Visual and sound artist from Gothenburg<br>Ruta Vitkauskaite \u2013 Composer and sound artist from Lithuania<br>Martin Thulin \u2013 Instrument builder and composer from Malm\u00f6<\/p>\n\n\n\n<p>\u2013 Modular sound by Olle Petersson in the foyer.<br>\u2013 Lecture by Jimmy M. Elwing &#8220;Connections between sound and esotericism, II: Occult Futurism and the Art of Noises&#8221;.<br>\u2013 Installation &#8220;Sculptures of Autumn and Naked Dust&#8221; by Lars Carlsson.<br>\u2013 Performance by our invited artists.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pioneering 2\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/VDwR52Ow6LA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Live performance from the opening of Pioneering II<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sculptures of Autumn and Naked Dust\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/nlmDGFCHb9Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The installation &#8220;Sculptures of Autumn and Naked Dust&#8221; by Lars Carlsson with Ruta Vitkauskaite on violin.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MYLA - Sculptures of Autumn and Naked Dust\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/jqCy0bK1uCg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The installation &#8220;Sculptures of Autumn and Naked Dust&#8221; by Lars Carlsson with My Hellgren on cello.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"pioneering-iii\">Pioneering III<\/h3>\n\n\n\n<p>We have asked our artists to return and make one final exhibition presenting the information that they have gathered in unknown lands and their experiences of pioneering. This exhibition will be an amalgamation of the project which has spanned several months.<\/p>\n\n\n\n<p>\u2013 Jimmy M. Elwing will deliver the concluding talk in his series of lectures explaining the connections between western esotericism and sound art.<br>\u2013 Zest Foyer, Foyer live sounds and electro-acoustic music by Lars Carlsson.<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>2024 GENII LOCORUM HISTORY Every place in Gothenburg has a soul, or a spirit. These supernatural clusters are complex patterns, affected by the various nature, history and inhabitants of the different locations. They are cultural-ecological documentations of the city&#8217;s visible and invisible course of events. These, the protectors of the hidden pit-stops and yards, can [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-141","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/pages\/141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=141"}],"version-history":[{"count":40,"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/pages\/141\/revisions"}],"predecessor-version":[{"id":498,"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=\/wp\/v2\/pages\/141\/revisions\/498"}],"wp:attachment":[{"href":"https:\/\/ljudkonstgalleriet.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}